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AUTHOR | HISTORIAN | ARTIST

  • April 4th, 2017

    fuckyeahchinesegarden:

    烟柳画桥 

  • April 4th, 2017

    fuckyeahchinesegarden:

    烟柳画桥 

  • April 3rd, 2017

    fuckyeahchinesefashion:

    Chinese cultural performance since ancient times,打铁花molten iron firework.

  • April 3rd, 2017

    fuckyeahchinesefashion:

    Chinese cultural performance since ancient times,打铁花molten iron firework.

  • April 2nd, 2017

    fuckyeahchinesegarden:

    suzhou gardens

  • April 2nd, 2017

    fuckyeahchinesegarden:

    suzhou gardens

  • April 2nd, 2017

    lumerianlotus:

    oh-no-what-a-nightmare:

    oh-no-what-a-nightmare:

    oh-no-what-a-nightmare:

    oh-no-what-a-nightmare:

    oh-no-what-a-nightmare:

    oh-no-what-a-nightmare:

    If you ever find yourself unable to write interesting characters 

    just use whose line is it anyway identities 

  • Worlds Within Worlds: A Structural World-Building Exercise

    March 29th, 2017

    nanowrimo:

    image

    We’re getting ready for Camp NaNoWriMo next week! Camp is a great way to expand your writing style or work on a different type of project than you normally do. Today, author, educator, and participant Tilia Klebenov Jacobs shares a fun technique to help the worlds that you create come alive:

    World-building is the process of constructing an imaginary world, sometimes associated with an entire fictional universe.

    In terms of technique, it is sufficiently de rigueur to merit its own joke in La La Land, where a blowhard screenwriter vaunts his supposed world-building prowess as Emma Stone backs politely away. But there’s a reason the term has been around for over half a century: unless your fictional world feels real, the story fails. And by real I do not mean that it cannot contain, for example, trolls, light sabers, or plot devices hinging on magic and/or time travel. It can have all of this and more; but it must feel authentic.

    Keep reading

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