Hey, so stop your scrolling for a bit
think about baby bunnies, and how they actually exist.
Like, they’re just little balls of fluff?
with tiny, itty-bitty noses and whiskers,
and little precious paws.
they can have ears that are soft and droopy,
they can have ears that perky and fluffy,
or they can have both!
Some are so small they can fit in your hand
and most like to snuggle
You can go back to scrolling now.
Sometimes life is just a bit better with baby bunnies.
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Headdress & Winged Harness: Rob Goodwin
Costume Design: David Bamber
Photographer: Diego Indraccolo
Ballerina: Ksenia Ovsyanick
Holy WOW.
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Rise of the guardians concept art by Christian Lorenz
Part 1/2
honestly, looking at these, I see that the sleigh could have been 4000% cooler. vaguely disappointed.
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- How bodies decompose
- Wilderness survival skills
- Mob mentality
- Other cultures
- What it takes for a human to die in a given situation
- Common tropes in your genre
- Average weather for your setting
yoooo
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I am SO, SO EXCITED to share my SVA thesis film at long last!!!!! This is what I spent most of the past year working on. It’s the biggest thing I’ve ever made, and I still couldn’t have done it without the help and support of a bunch of really awesome people. I strongly recommend watching it in HD and I hope you like it a lot! 🙂
oh damn, wow, talk about inspiring.
HOLY FUCK I DIDN’T EXPECT THAT AT ALL
WOW
PLEASEWATCHTHISOHMYGOODNESS
IT’S UNLIKE ANYTHING I’VE SEEN BEFORE OHWOWIJUST- /SCREAMING/I’ve reblogged this before but it’s still one of my favorite things
shrieking
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Ahh, it’s back
i have disproportionately strong feelings about this.
every time i say “nah i’m not gonna watch it again.” BUT I STILL DO EVERY TIME.
YEAUGH
are you kidding? its worth it every single time.
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Okay. Someone asked me how I feel about writing fiction in a world that still needs actual activism and hands-on work to make life better. They said something similar to, “I get pulled away from writing fiction because I feel guilty for not making tangible…
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When was super depressed, I wasn’t working—I was always too depressed. Hemingway did his best work when he didn’t drink, then he drank himself to death and blew his head off with a shotgun. Someone asked John Cheever, “What’d you learn from Hemingway?” and he said “I learned not to blow my head off with a shotgun.” I remember going to the Michigan poetry festival, meeting Etheridge Knight there and Robert Creeley. Creeley was so drunk—he was reading and he only had one eye, of course, and had to hold his book like two inches from his face using his one good eye. But you look at somebody like George Saunders—I think he’s the best short story writer in English alive—that’s somebody who tries very hard to live a sane, alert life.
You’re present when you’re not drinking a fifth of Jack Daniel’s every day. It’s probably better for your writing career, you know? I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist.
In an interview with The Fix, Mary Karr debunks the toxic mythology that it is necessary to be damaged in order to be creative. My own vehement defiance to that mythology is what led me to choose Ray Bradbury – the ultimate epitome of creating from joy rather than suffering – as the subject of my contribution to The New York Times’ The Lives They Lived.
Pair with Karr on why writers write.
(via explore-blog)




















