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  • #FourGodsFriday: Gen Character Profile

    August 4th, 2017

    This week for #FourGodsFriday, we’re going to take a look at The Four Gods’ protagonist. Gen’s profile is posted below, and you can learn a little more about him. As always, I am open for any questions, too. This profile template was originally made by my CP many years ago, and we’ve shared it between us for most of the profiles we’ve done. This is also a segue to next week’s WAW, where I will cover how to make a basic character profile! 

    Character Name: Ming Gen (明根)

    Physical

    Race: Gen was originally a human, but he becomes a xianren, or an immortal being. Ethnically, he is Han Chinese. 

    Birthday/Age: Gen was born on April 12th, 167 CE and is 18 when he achieves immortality.

    Height: Gen stands about 5’8". This is tall for a human, but is average height for a heavenly being.

    Weight/Body Type: He weighs around 157 pounds. He is stockier than many of his peers, but most of his bulk is lean muscle.

    Skin: Gen’s skin is somewhat pale, and he’ll tan in sunlight, but that’s about all there is to it. His general complexion can be compared to a person living in Northern China or Mongolia.

    Eyes: His eyes are dark brown in color that border on black, and are large and almond-shaped. 

    Other Facial Features: Rounder/oval face shape, wide nose, thin lips. He has very little facial hair and rarely keeps what he is gifted with in the mustache or beard department since he prefers a cleaner look.

    Hair:  Gen has dark brown hair that is ungodly thick and slightly wavy. Due to difficulty in maintaining his hair, he will often pull it back into a low ponytail to keep it out of the way, but he’ll begrudgingly wear topknots for special occasions.

    Clothes: Gen prefers simpler garments in the neutral spectrum, mainly blacks, grays, and browns. He can sometimes seen be wearing clothing in green or blue, but he’ll only do this for special occasions. While he was a prince, Gen would wear solid colored hanfu robes in darker shades, mainly black, green, and red. When he becomes a god, Gen prefers dark-colored hanfu robes with minimal decoration or he prefers wearing deels of nomadic tribes because of their comfort and ease of movement. 

    Skills

    Occupation: Gen was originally a prince and soldier of the Eastern Han empire, but once he achieves enlightenment, he serves as the Northern Guardian of the Si Ling (Four Symbols) Organization.


    Hobbies: Gen has a love for poetry (both reading and writing) and philosophy. Despite his calm and academic personality, he also has a love for combat and swordsmanship. If he is not working or in a library, he can be found drilling weapons either alone or with his comrades. 

    Powers: Gen has very selective powers and abilities once he gains them. His magical abilities focus on water and earth, but his fortes are ice and poisonous plants. He can create both by using his qi, but he must be focused in order to use his abilities successfully, as adrenaline hinders his usage of these elements.  

    He also gains transformation abilities and has a mythical beast form in the form of a Bixi (dragon-tortoise), but he rarely uses this aspect of his magical powers and much prefers a more human form.

    Weapons: Being a warrior and a previous soldier, Gen can use a variety of weapons, but his favorites are spears and scimitars.

    Mental

    Common Sense: Gen has a great deal of common sense, and he knows what to avoid and what to jump in on. However, he lacks a certain sense when it comes to touchy subjects of his peers. He also has problems with tunnel vision, and his judgement becomes clouded if he is focused on a specific task or goal he has in mind.

    Intellect: Gen is a very intelligent individual. He learns new philosophies for enjoyment and was recognized as a naturally skilled tactician in the Han court.

    Improvisation: Gen’s improvisation skills are nowhere near his intellect. This area is definitely not his greatest area of skill, and he is known to be the “screw-up” out of his group of friends as his endeavors to do something outside-of-the-box ends up in disaster. He does learn from mistakes rather well, and if he does screw something up, he will try to find a better alternative to not do it again.

    Emotional

    Likes: Gen has a love for simplicity, despite living in such a flamboyant environment. This is a carrying over of a trait he had as a mortal in which he meditated multiple times of the day and studied the ways of the Dao. He also enjoys taking part in any problem solving activity and even enjoys a taste of the arts every once in a while, specifically painting or calligraphy.

    Dislikes: His dislikes are not very extensive, as he tries to see the silver lining of any bad incident, but he does not care for giant piles of work to the point where he’s overwhelmed. While he is very diligent, he feels work should be done in small steps because it is done more efficiently then. He hates injustice, no matter if it’s against the highest deity or lowliest beggar. He also does not take a liking to public speaking, despite his past life and experiences.

    Spiritual

    Religion: Gen practices Daoism.

    Strengths: As mentioned before, Gen is very skilled in strategy and problem solving as well as being an advisor to his peers. His realistic views of both the mortal and immortal realms often shows everyone a bigger picture. While some may see him as distant and cold, he has the biggest heart and is an overflowing fountain of compassion to anyone and everyone who may need something.

    Weaknesses:  Gen has a problem with properly showing emotions. He has been conditioned to “save face” and often shrugs his feelings off for matters he deems more important, which can lead him becoming pessimistic or exploding at inopportune times. 

    He has an awful sense of direction and has the habit of losing people that he’s with if traveling together. 

    Social

    Family: Gen has no family in the Heavens when he arrives, but during his mortal life, his family consisted of about 5 brothers (1 older and 4 younger) and 2 sisters (both younger). His father was the Emperor of the Han empire and his mother the Empress.

    Gen was not particularly close with most of his siblings, and preferred spending time with the royal guard or scholar officials in his father’s court. 

    Friends: During his mortal years, Gen was closest friends with his personal servant, Zhen, and members of the royal guard. Once he achieved immortality, he became close friends with a Fenghuang named Guang Fengge.

    Gen also became friends with the other two members of the Si Ling organization by default: a Qilin named Bing Chonglin and a Long named Zhang Longwei.

    Back Story:  Gen was an heir to the Han throne that served as a military advisor and political prodigy under his father, the emperor. Being the oldest son, he was expected to take on the throne as any oldest child should. Shortly after being named Crown Prince, he received a vision from the gods. With their instruction, they gave him the option to become one of them. In order to do this, though, he had to purge himself of all earthly desires and needs and continue to meditate for the transformation process to be complete. 

    In response to this vision from the gods, Gen followed their request, meditating frequently and consistently without taking in food or drink as they were considered earthly things. His family, very worried for the prince’s sake, tried everything they could to get their son to eat once more but, Gen was determined to follow the gods wishes and not long after that, his request was granted and he was allowed admittance into the heavens. 

    It was everything that he had dreamed it to be with their ornate decorations and brightly patterned robes. However, there was a surprise waiting for him. Although he had purged himself of all earthly materials, Gen’s body was worse for wear and he was given a completely new, divine body that resembled his old one.

    Now that Gen was in the heavens, the gods decided to give him a position in the Si Ling, hoping that his presence would replace Guang Fengge, the phoenix of the group. Since then, he has been along for the ride, helping out in any way that he can and attempting to keep the peace between the other three members.


    And that’s it for today! Feel free to send any questions if you have them!

  • August 4th, 2017

    vaspider:

    alihsi:

    abductedbyreality:

    inkahootz18:

    littlebluboxx:

    silentauroriamthereal:

    nofreedomlove:

    image

    image

    image

    imageimage

    image

    image

    image

    Source

    “Image Credit: Carol Rossetti

    When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

    Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

    “It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”

    Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

    “I see those situations I portray every day,” she wrote. “I lived some of them myself.”

    Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

    One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

    It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

    “I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””

    From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

    Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

    OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.image

    image

    image

    image

    image

    image

    LOOKimage

    image

    image

    image

    ATimage

    image

    image

    image

    THESEimage

    image

    LETS APPLAUD CAROL ROSSETTI EVERYONEimage

    image

    image

    image

    image

     image

    image

    image

    image

    image

    image

    image

    image

    LOOK

    Um, these are like the best thing ever.

    Just slow clap it out. ;w;

    So many more!

    I love all of these so much. Every time I see them I smile.

    I want a print of the Amanda one, I think.

  • August 4th, 2017

    vaspider:

    alihsi:

    abductedbyreality:

    inkahootz18:

    littlebluboxx:

    silentauroriamthereal:

    nofreedomlove:

    image

    image

    image

    imageimage

    image

    image

    image

    Source

    “Image Credit: Carol Rossetti

    When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

    Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

    “It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities,” Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”

    Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

    “I see those situations I portray every day,” she wrote. “I lived some of them myself.”

    Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!“ or ”Mujeres en español!“ which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

    One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

    It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

    “I can’t change the world by myself,” Rossetti said. “But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another.””

    From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

    Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

    OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.image

    image

    image

    image

    image

    image

    LOOKimage

    image

    image

    image

    ATimage

    image

    image

    image

    THESEimage

    image

    LETS APPLAUD CAROL ROSSETTI EVERYONEimage

    image

    image

    image

    image

     image

    image

    image

    image

    image

    image

    image

    image

    LOOK

    Um, these are like the best thing ever.

    Just slow clap it out. ;w;

    So many more!

    I love all of these so much. Every time I see them I smile.

    I want a print of the Amanda one, I think.

    Source: diddleydang
  • August 4th, 2017

    kittymannequin:

    babybat98:

    universalfanfic:

    writing advice: never italicize words to show emphasis! if you’re writing well then the reader will know and you don’t need them!

    me: oh really??? listen up, pal, you can just try an pull italics from my cold, dead fingers

    “I never said she stole my money.”

    VS.

    “I never said she stole my money.” 

    “I never said she stole my money.” 

    “I never said she stole my money.” 

    “I never said she stole my money.”

    “I never said she stole my money.” 

    “I never said she stole my money.” 

    “I never said she stole my money.”

    Just read all of those ^ out loud and you’ll know why italics are so important in writing. 

  • No WAW this week.

    August 2nd, 2017

    Hey all! Due to my schedule this week, there will be no Writing Advice Wednesday segment. I will be back for Four Gods Friday. Thanks for understanding!

  • August 1st, 2017

    did-you-kno:

    Tuesday, 1 August, 1944:


    Dearest Kitty,

    “A bundle of contradictions” was the end of my previous letter and is the beginning of this one. Can you please tell me exactly what “a bundle of contradictions” is? What does “contradiction” mean? Like so many words, it can be interpreted in two ways: a contradiction imposed from without and one imposed from within.

    The former means not accepting other people’s opinions, always knowing best, having the last word; in short, all those unpleasant traits for which I’m known. The latter, for which I’m not known, is my own secret.

    image

    As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-colour joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me.

    Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker – a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either.

    image

    I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne-to beat her down, hide her. But it doesn’t work, and I know why.

    I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “light-hearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared.

    image

    So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am… on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why-no, I’m sure that’s the reason why I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether.

    image

    As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I I’m always up against a more powerful enemy.

    A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people, who dislike you, and all because you don’t listen to the advice of your own better half.”

    image

    Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside g out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if… if only there were no other people in the world.

    Yours, Anne M. Frank

    Source

    Source: didyouknowblog.com
  • August 1st, 2017

    did-you-kno:

    Tuesday, 1 August, 1944:


    Dearest Kitty,

    “A bundle of contradictions” was the end of my previous letter and is the beginning of this one. Can you please tell me exactly what “a bundle of contradictions” is? What does “contradiction” mean? Like so many words, it can be interpreted in two ways: a contradiction imposed from without and one imposed from within.

    The former means not accepting other people’s opinions, always knowing best, having the last word; in short, all those unpleasant traits for which I’m known. The latter, for which I’m not known, is my own secret.

    image

    As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-colour joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me.

    Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker – a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either.

    image

    I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne-to beat her down, hide her. But it doesn’t work, and I know why.

    I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “light-hearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared.

    image

    So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am… on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why-no, I’m sure that’s the reason why I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether.

    image

    As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I I’m always up against a more powerful enemy.

    A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people, who dislike you, and all because you don’t listen to the advice of your own better half.”

    image

    Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside g out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if… if only there were no other people in the world.

    Yours, Anne M. Frank

    Source

    Source: didyouknowblog.com
  • July 29th, 2017

    the-party-pineapple:

    bonitapplebumb:

    sophrph:

    working in retail

    I have NEVER seen a more accurate representation of this satanic industry

    And people wonder why you’re such a bitch after having dealt with this shit

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